Musician Juliana Soltis places women composers in the spotlight on new album

“American Woman” is a recording of works by female composers who were known in their own time, but whose legacies were obscured by the prejudices of male-dominated classical music institutions. (Courtesy of Sarah Kane Photography)

A new collection of original classical music by underrecognized women composers, some pieces “waiting over a century to be heard,” comes to us from the acclaimed cellist Juliana Soltis, with pianist Ruoting Li.

“American Woman” is a recording of works by composers who were known in their own time, but whose legacies were obscured by the prejudices of male-dominated classical music institutions. With intimate and expressive cello and piano duo performances, “American Woman” places these composers back in their well-deserved spotlight.

On Monday, cellist Juliana Soltis joined “City Lights” host Lois Reitzes via Riverside to discuss more about rediscovering these near-forgotten creative artists.



“My interest in women composers really goes back to my earliest days as a cellist,” says Soltis. “At 11 years old, I remember thinking, ‘no great women composers,’ really? I don’t believe it for a second.”

That suspicion led Soltis to stumble upon composers like Dorothy Rudd Moore, Helen Crane and Amy Beach, all three of whom are featured on the album.

Although the women are finally getting some of the recognition that they deserve, sometimes nearly a century after passing, Soltis believes that they could all use more amplification and celebration. “It’s our American music; we should be celebrating this, and we should be doing everything we can to preserve it.”

Juliana Soltis’ new album with Ruoting Li, “American Woman,” can be found on her website!